Mitch Malloy on the QuickSoundField
Originally published in Performing Songwriter, January 2004

This review of the QuickSoundField by Mitch Malloy demonstrates the dramatic difference QSF makes in studio recording. Below are some excerpts:

Full Article

“I remember visiting a studio that was professionally treated with all ASC products, and the sound of that room was remarkable.”

“For the first time ever—even after 15 years of tracking in world-class facilities with major engineers—I heard all of my voice’s tone being captured by the mic.”

“I did a comparison with my old speaker stand on one side and the ASC stands on the other, and it was like night and day. When  I set up both sides with the ASCs, I heard things much more clearly, with the bass tightened up significantly.”

“Within five minutes I was set up, and once again I couldn’t believe the difference. It seemed as if I was hearing only the speakers and the music and not the room—nice and tight, and so musical. I suddenly heard bad things about my previous mixes, which was a good thing. Yikes—remix time!”

“For the first time ever—even after 15 years of tracking in world-class facilities with major engineers—I heard all of my voice’s tone being captured by the mic”

“These products will bring any studio up several notches, both and aesthetically”