You heard right! ASC TubeTraps are included in the latest Stereophile Recommended Components 2021!
Acoustic Sciences Corporation is proud to announce another year of inclusion in Stereophile magazine’s “Recommended Components 2021 Edition: Room Acoustics Treatment.”
Please check out the entire list HERE, and support all the companies that help you enjoy your music.
ASC StudioTrap: $589 ★
Adjustable tripod-mounted room-tuning device that represents the “latest in TrapThink from ASC,” according to J-10, who uses an array of StudioTraps to great effect in his Manhattan loft. The front half is treble-reflective for a brighter sound, while the back side is treble-absorptive for a drier acoustic. He highly recommended the Traps for “anyone whose family will allow them to populate the listening room with gobos.” (Gobos are “sound-absorbing panels used to surround performers in recording studios.”) Stereophile’s “Accessory of 1999.” (Vol.21 No.12 WWW)
ASC SubTrap: $659–$839 ★
This “big, chunky black box” sits under a subwoofer to attack acoustic problems caused by the interactions of a subwoofer’s output and the room’s modes. Improvements in room acoustics were immediate, thought KR, even with the subwoofer disconnected: “There was less apparent energy from clapping, loud conversation, or just stomping around.” With the system turned on, there was “less apparent bass energy from all wide range signals.” With a Paradigm Servo- 15 sub sitting atop a SubTrap, bass was deeper and more detailed: “Ah, yes—glorious bass without the boom!” Available in three sizes: 15″, 18″, and the 22″ square model reviewed. (Vol.27 No.9 WWW)
ASC TowerTrap: $411–$1096 ★
Originally called the Cube Tower, the TowerTrap is a “smaller, more cosmetically acceptable, more affordable version of the classic TubeTrap,” writes BJR. “Very effective at taming mid- and upper-bass room anomalies. Looks like an attractive Vandersteen speaker sitting there in the corner.” (NR)
ASC TubeTraps: $459–$1046 ★
Relatively inexpensive but remarkably effective room-acoustics treatment. TubeTraps soak up low-to-high bass standing-wave resonances like sponges. WP agrees, using Traps to optimize the acoustics of his room for MartinLogan SL3 electrostatics, while BD used them to optimize his room while auditioning the Thiel CS7.2s. Using the Music Articulation Test Tone (MATT) from Stereophile’s Test CD 2 (STPH004-2), he first positioned them for smoothest overall response and articulation, then “dialed-in depth, dimensionality, and ambience.” A chart recorder graphically showed the changes. In the end, “The sound was fantastic,” quoth BD, who recommends them unconditionally. (Vol.9 No.3, Vol.15 No.2, Vol.16 No.12, Vol.19 No.1, Vol.20 No.5, Vol.23 No.2 WWW)