Articulation and the Small Room (AES-1988)
Articulation and the Small Room Presented at the 85th AES Convention, Los Angeles, CA, November 6, 1988 —Arthur M. Noxon Acoustic Sciences Corporation. Eugene, OR. [...]
Masters Thesis: Ripple Tank and Acoustic Analogue
The Masters Thesis: Ripple Tank and Acoustic Analogue. The Ripple Tank is a classic method to visualize wave propagation. This book is the written thesis [...]
Sound stress and seahorses…
The consequences of a noisy environment to animal health Authors: Paul A.Anderson, Ilze K.Berzins, FrankFogarty, Heather J.Hamlin, Louis J.Guillette Jr. - Contributions from Art Noxon [...]
How TubeTraps Opened a New Realm in Audio Playback
It's been asked: How have TubeTraps Open a New Realm of Precision in the Performance of Audio Playback Systems? Well, audio minded people know [...]
Correlation Detection of Early Reflections (AES-1992).
Arthur M. Noxon Acoustic Sciences Corporation Eugene, Oregon USA Correlation Detection of Early Reflections (AES-1992) Presented at the 11th AES International Conference: Test and [...]
Room Acoustics for Eurovision (AES-1991)
This AES paper presents what started off as a unique project to use TubeTraps to convert a classical concert hall into a TV studio [...]
Sound Fusion and the Acoustic Presence Effect (AES-1990)
Preprint No. 2998 Sound Fusion and the Acoustic Presence Effect Presented by Art Noxon at the 89th AES Convention September 1990 Los Angeles View [...]
Articulation – Prerequisite to Performance (AES-1989)
Acoustic Sciences Corporation Eugene, Oregon USA Articulation - Prerequisite to Performance (AES-1989) Presented by Art Noxon at the 87th AES Convention New York, October [...]
Controlled Reflection Isolation Booth (AES-1987)
Preprint No. 2531 Controlled Reflection Isolation Booth (AES-1987) Presented by Art Noxon at the 83rd AES Convention 1987 October 16-19 New York PDF version Presented [...]
Room Acoustics and Low Frequency Damping (AES-1986)
Presented by Art Noxon at the 81st AES Convention, this paper takes a look at how room modes are managed by corner bass traps. [...]
