Post Production

Post Production begins with great sound in Foley, ADR, Voice Over, Audio Books, Announce and Dubbing Rooms. Double the sonic palette available in your current production rooms. Add the sound fusion recording technique, pioneered by us and our QSF product line.

Adding early reflections to the direct means you can dial in sonic context, and premix the signal at the mic.

For the cost of one good mic, you can dramatically expand the sonic options available to you for creative interpretation in the recording of sound. Fix the sound of the track at the mic, not in the box. We work with you to provide you with the right balance of soundproofing and sound conditioning in your next studio remodel or upgrade. We help with the concepts and design of your renovation or expansion and then we build and package everything you need and ship it directly to you, with instructions and ready to install. We want you to get the job done right the first time.

Technologies

A Holistic Approach

At ASC, we look at the entire project as a cohesive, functional collaboration of form and function.  A professional audio workspace begins with the structural elements of the room itself, and ends with the control of the sound as it is played back to the listener.

Room Design

The size and shape of the room to optimize the sound and minimize acoustic disortions

Soundproofing

The construction of the walls, ceiling, floor, windows & doors to minimize sound intrusion to and from adjoining areas and equipment

Interior Space Acoustics

Acoustic Room Treatments to help control and shape the sound as it is delivered to the listener as a final composit to what the monitors are delivering and what the room itself is adding to that final sound.   From BassTraps, to wall absorbers and diffusors we help specify a treatment that works flawlessly.

Bass Traps

Unlike any other bass trap, the physics behind the TubeTrap, PCAD and Acoustic Soffit are based on a capacitive-resistive circuit. The acoustic capacitor (C) is the air chamber inside. The bigger it is, the more efficient the TubeTrap is at low frequencies. The acoustic resistance (R) is DC impedance matched to the radiation (LC) impedance of a freely radiating soundwave. Because of this design feature, the TubeTrap is more than 100% efficient. Another unique feature is the adjustable diffusion grid built into the TubeTrap. The specular diffusion panel that covers half of the TubeTrap is an acoustic choke (L) which is sized, ported and mass loaded to backscatter the treble range.

Adjustable Diffusion Built-in

What makes our TubeTrap and StudioTrap products so versatile? Unlike, 'built-in' wall mounted acoustic products (which allow very little user control), our 'modular' acoustic devices give you full control to create a variable acoustic sub-space to suit nearly any recording or playback situation. Our products give the recording engineer the tools they require for the demands of quickly changing sessions.

Examples

  • Motion Picture Sound Editing
  • Television & Video Editing
  • Soundtrack Composition & Film Scores
  • Sound Effects
  • Sound Design
  • Music Mixing
  • Creative Services
  • Audio Transfer
  • Film Restoration & Preservation
  • Advertising & Marketing Firms
  • Independent Producers