| Musical articulation is one basic
requirement that must be met by nearly every audio system. This
test has been developed to record and display the "fast tracking"
capability of the audio chain. The graph below (Fig.1) is the analysis
of the test signal itself. If you listen to the test signal over
headphones you will hear what the fully articulate signal really
sounds like.
Stereophile reviewed the MATT Test in an article
called "Room Tuning: ASC Tube Traps & the MATT Test"
By Brian Damkroger • February, 2000.
Check
it out here |
| In the following diagrams, the test signal
has been played and recorded at various listening positions. Fig.2
and Fig.3 show how the test signal was actually received at each
position. Some portions of each graph will look and sound articulate.
This is recognized by sections with a wide vertical "zig-zag"
pattern similar to the articulate signature of the test tape printout. |
| Areas of poor articulation are evidenced
by sections of small amplitude zig-zag. The room slurs and garbles
the sound of the discrete test tones. Make a copy of each original
recording and play it over headphones while studying the printout
from the same test. You will quickly learn how the variations in
intelligibility as shown in the printout are really very audible. |
| Discussion of the Test
The basis of the test signal is a very slow sine wave sweep. It
starts at 28 Hz and rises up to 780 Hz, then it drops back down
to 28 Hz. It is easier to read the printout when presented in this
symmetric form. The linear frequency vs time curve is triangular
in shape and takes about 80 seconds to complete.
The slowly changing pure tone signal is then chopped, alternately
turned on and off at some particular rate. For the typical music
playback system, the test signal is gated at 8 Hz, eight distinct
tone bursts per second. A 50% duty cycle is used so each tone is
played for 1/16 second and is followed by 1/16 second of silence.
This measures the fast response, dB level curve at the listening
position. Specifically, it measures how loud each burst is and how
quiet each silent period becomes. The test analysis circuitry can
follow as much as a 20 dB drop in level during a 1/16 second of
silence. Articulation is the ability of the room to distinctly sound
out each audio event.
Two things are noticed in room response curves made from this test.
The sound levels may not always drop away during the quiet periods.
They may not always rise during the sounding of the tone. In either
case, the vertical amplitude swing of the graph will be small and
the room is garbling, and slurring the otherwise distinct tone bursts.
The second feature to observe from this test are the changes in
overall sound levels. The test signal is EQ'd flat and the vertical
zig-zag follows a flat baseline. When the test tone sequence is
played into a room, the room resonances and absorption coefficients
that change with frequency cause overall sound levels to vary. The
zig-zag articulation signature follows this hilly terrain. If the
articulation signal were to be smoothed out we would see that its
baseline is the traditional "slow sine sweep" room response
curve.
When the room is acoustically treated to better develop articulation,
two things will be noticed from this test. The room response curve
will tend to flatten out, as if the room has been somewhat EQ'd.
The second feature will be increased articulation. This is evidenced
by a wider swing of the vertical zig-zag line over a greater percentage
of the frequency range tested. The "ideal" articulate
room measures wide and flat with this test. |
| Short Tutorial for the Articulation
Demo Tape
This tutorial refers to the mp-3 audio
track linked here. File size is 5 MB.
A short tutorial tape has been prepared to illustrate the effects
that the listening room has on the perception of the MATT, an articulation
test signal. Here we introduce the tutorial tape and display hard
copy printouts to accompany listening to the actual signals on the
tutorial tape.
The articulation test signal is a rapid series of tone bursts held
steady at 8 bursts per second. The tone of each burst is different,
on a sliding scale. This demo tape presents only the last half of
a real test. It fades in when the tone is about 780 Hz, in the middle
of the test and follows the signal down to 28 Hz, its lowest frequency.
Each tone burst sequence lasts about 45 seconds. Altogether there
are 6 parts to the demo tape.
The room where the tape was made is a heavy wall, 2000 sq-ft listening
room, built for research and testing at the ASC factory. It has
a concrete floor with sheetrock walls and ceiling. All acoustic
recordings were made in a professional manner with a crossed pair
of mics for stereo and placed at the listening position. The speakers
were placed in a typical hi-fi setup. The 6 tracks are as follows:
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1. Original signal
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2. Lightly treated room
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3. Well treated room
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4. Bare room
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5. Original signal
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6. Well treated room
Accompanying each track is an introductory comment by the recording
engineer that identifies the track. Here we present the printout
of each test. The audio signal is passed through a dB meter circuit
so the level changes associated with each burst can be tracked.
It is clear that playback articulation is a direct function of
acoustic conditioning in the last link of the audio chain, the listening
room. |
|
Test 1.
Original signal
"The first sequence is the music articulation test recorded
directly from the test oscillator."
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Test 2.
Lightly treated room
"The next sequence is the music articulation test recorded
in a room with light acoustic treatment."
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Test 3.
Well treated room
"The next sequence is the music articulation test recorded
in the same room with a complete Tube Trap TM
acoustic treatment system."
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Test 4.
Bare room
"The next sequence is the music articulation test recorded
in a bare room."
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Test 5.
Original signal
"The music articulation test recorded directly from the test
oscillator."
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Test 6.
Well treated room
"The music articulation test recorded in a room equipped with
a complete Tube Trap TM acoustic system."
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| Demo the Defect - Room Articulation
The MATT (Musical Articulation TEST TONES) contains an audio test
signal designed to test the fast-tracking ability of the listening
room. The room acoustic is the last link in the audio chain. It
is responsible for most of the deterioration of playback quality.
A simple, quick and very effective A/B demo to this effect is available
with the MATT signal.
The clean signal is best audited over a set of headphones. The
signal path distortion is minimal with this type of acoustic coupler.
Once the rapid set of distinct ascending and descending tone bursts
are familiar, take the headphones off and listen to the room acoustic
playback version of the same signal.
During room playback a number of different effects will be audible.
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Ta-Ta-Ta-Ta, the sound of an articulate group of tone bursts.
There will be usually some 8 to 10 clean bursts in such a group,
lasting about one second. A typical room will have only a few
of articulate groups of signals in the 75 second test.
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Tattle-Tattle-Tattle-Tattle, the tell-tail sound of the room's
double-tongue response. Large spans of the tract will have this
sound. Notice that the tonal pulse rate is really twice that
of the real signal. Too much energy occupies the dwell period
of the test signal.
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Toodle-oodle-oodle-oodle, the sound of the garbled room. Notice
that it is a softer, less impacted sound. It's close to a slurred,
double-tongue response.
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Tathump-Tathump-Tathump, is a more accurate presentation of
the TA-TA. The "thump" is the turn-on and turn-off
transient effects. This subtle transient coloration becomes
totally inaudible with anything but articulate room playback.
The thump is a damped 45 Hz ringing with only 2 oscillations
of presence following each burst transition.
These effects, all distinct, audible and measurable are controlled
by the room acoustic. More importantly, the "demo the difference"
experience leads the auditor to observe firsthand the significance
of the acoustic interconnect. Then the auditor will realize and
accept the impact the listening room has on the otherwise accurate,
fast-tracking audio chain.
Audio is no longer satisfied with launching a clean wavefront through
grill cloth and calling the job done. The room acoustic is clearly
the last and weakest link in the upscale audio chain. Now, you can
demo the defect and upgrade the interconnect.
Tube Trap, for the articulate listening room. |
|
Test procedure
The MATT signal is available on the Stereophile Test CD 2 (track
19) and on the PROSONUS Studio Reference Disc (track 50). Or, and burn it to a CD. To save the file to
your computer, right-click (Windows) or control-click (Mac), then
choose the save option. The diagram below illustrates a typical
MATT test set-up.
For a small fee, ASC can analyse your MATT Test results and provide
a report along with recommendations for acoustic improvements. You
provide us with a recording of the MATT Test in your room and we'll
take it from there. |